Your Custom Text Goes HEre
USA | 1982 | Directed by Ridley Scott
Logline: In Los Angeles, 2019, a cynical and weary detective is coerced into tracking down several dangerous rogue androids, but finds himself confused and dehumanized in the process.
REPLICANT\rep’-li-cant\n. See also ROBOT (antique): ANDROID (obsolete): NEXUS (generic): Synthetic human, with paraphysical capabilities, having skin/flesh culture. Also: Rep, skin job (slang): Off-world use: Combat, high risk industrial deepspace probe. On-world use prohibited. Specifications and quantities ― information classified.
- New American Dictionary Copyright © 2016
Sometimes it’s the flaws in a movie that elevate it to the level of rough diamond. Blade Runner is a cosmic gem grounded at street level in a wet and filthy social apocalypse of technological ingenuity amidst a wild moral wilderness. Based on Philip K. Dick’s 1968 novella Do Androids Dream of Electric Sheep, it is widely regarded as one of the most influential sf movies ever made. It also happens to be my very favourite film (although Fellini’s 8½ occasionally comes a-knocking).
USA | 1982 | Directed by Ridley Scott
Logline: In Los Angeles, 2019, a cynical and weary detective is coerced into tracking down several dangerous rogue androids, but finds himself confused and dehumanized in the process.
REPLICANT\rep’-li-cant\n. See also ROBOT (antique): ANDROID (obsolete): NEXUS (generic): Synthetic human, with paraphysical capabilities, having skin/flesh culture. Also: Rep, skin job (slang): Off-world use: Combat, high risk industrial deepspace probe. On-world use prohibited. Specifications and quantities ― information classified.
- New American Dictionary Copyright © 2016
Sometimes it’s the flaws in a movie that elevate it to the level of rough diamond. Blade Runner is a cosmic gem grounded at street level in a wet and filthy social apocalypse of technological ingenuity amidst a wild moral wilderness. Based on Philip K. Dick’s 1968 novella Do Androids Dream of Electric Sheep, it is widely regarded as one of the most influential sf movies ever made. It also happens to be my very favourite film (although Fellini’s 8½ occasionally comes a-knocking).